Families will get to own a physical copy of the latest adventure of Grizz, Panda, and Ice Bear. Warner Home Video releases We Bare Bears: The Movie on DVD on Tuesday, 8 September after the movie’s Cartoon Network TV premiere the day before. Continue reading “We Bare Bears Movie Coming to DVD 8 September, Cartoon Network 7 September”
In the 2020 women’s Royal Rumble match, WWE Superstar Naomi made her return. She’s one of the WWE’s best in pure athletic ability and, what I’ve seen from matches and Total Divas, one of the nicest people in a wrestling business that requires people to have a mile-deep mean streak.
Naomi, in making a Royal Rumble moment, avoids being eliminated from the match by landing on the barricade wall. Moving from the top of the barricade to the announce tables, she takes her time making her move back into the ring. Pacing along the three tables, she ultimately decides to cross to the ring steps via the table top. Continue reading “Naomi Did Nothing Horribly Wrong in the 2020 Royal Rumble”
A NEW FILM FESTIVAL
CELEBRATING INDEPENDENT AND COMMERCIAL FILMS THAT REPRESENT THE DYNAMIC LANDSCAPE OF RUSSIAN FILMMAKING TODAY
DECEMBER 6-13 IN MANHATTAN
Presented by The Cherry Orchard Festival Foundation and Rock Studio Films
18 Films * 22 screenings and Q&As * 10,258 prospective viewers
15 star guests, directors and actors
The 2019 Russian Film Week in New York (RFWNY) – a new film festival celebrating independent and commercial films that represents the dynamic landscape of Russian filmmaking today. The event, which will take place in New York City, December 6-13 at the SVA Theatre (333 W 23rd St), Peter Jay Sharp Theatre and Leonard Nimoy Thalia Theatre at Symphony Space (2537 Broadway) and the NYIT Auditorium on Broadway (1871 Broadway).
RFWNY was co-founded and successfully re-launched in 2018. This partnership aims to develop a multi-state, annual week-long showcase, in an effort to present independent, commercial, documentary and arthouse Russian films with subtitles to mainstream US audiences.
“At a time when some want to highlight differences among us, we want the 2019 Russian Film Week in New York to be a bridge to unite people across the oceans,” said founders and presenters Maria Shclover and Irina Shabshis of The Cherry Orchard Festival Foundation. “We truly feel that artistry is a powerful force and can be the catalyst to show our commonalities.”
Highlights of Russian Film Week in New York include:
Movie screening and discussion / Q&A with film director Alexander Gorchilin
Acid is a silent manifesto of the generation of twenty-year-olds in search for life’s meaning. The main characters have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. They justify their reckless and infantile behavior by the lack of communication with their parents, since they grew up without fathers. Now, the time has come for them to face adulthood.
Movie screening and discussion / Q&A with director Anna Parmas and actress Anna Rytsareva.
Masha’s successful life has her completely consumed in her work until she discovers that her husband has been having an affair with his twenty-something fitness trainer. Her life begins to spin out of control, as she struggles to balance work, child-rearing and navigating the breakdown of her marriage. Desperate to keep her family together, Masha won’t stop at anything to get her husband back, including turning to supernatural forces. But her new life opens up new opportunities, and she wonders if this old barely flickering flame is really worth reigniting. This feature-length comedy debut by Anna Parmas is full of superb performances and witty punchlines.
As a street dancer, Anton is building a remarkable career: his team wins all the battles, he is a recognized choreographer, and all his future depends on dance. When Anton loses his hearing in a tragic accident, all his plans and all hopes are destroyed. Finding himself in an empty and strange world of silence, Anton gradually realizes that this is not the end. His passion for dance, the will to win and his love of life show him a new way to his cherished dream. And his greatest battle is yet to come.
A young girl spends her summer in a countryside resort under the strict supervision of her mother. A young guy with a secret past draws her attention. The girl does not foresee that her life will change forever after meeting him, and her feelings will send her high above the sky.
THE LENIN FACTOR
It’s been almost three years since the start of World War I, the bloodiest war in the history of humanity. Vladimir Lenin is an immigrant, living in Zurich. Having devoted his life to preparing the revolution, Lenin “missed” its beginning and is now searching for an opportunity to return to Russia and annex control of the situation.
THE SNOW QUEEN: MIRRORLANDS (Animated movie)
A powerful king nearly lost his family due to the Snow Queen’s evil deeds. He finds a way to withdraw all the magic from the world – they who master the magic powers get trapped in the Mirrorlands. The only one who can stop him and keep the fairytale in our world is Gerda – as her own superpower is not sorcery but her faith in kindness and friendship. The Snow Queen herself along with trolls and pirates will help Gerda in her new adventures.
Movie screening and discussion / Q&A with Aleksey Serebryakov and Sergey Livnev conducted by the film’s director Sergey Livnev
Winner of four Russian National Film Academy Awards (Nika), Van Goghs sensitively explores the complicated relationship between Mark Ginzburg, an artist, and his oppressive father Viktor, a famous conductor Mark moved from Latvia to Israel just to escape his father’s shadow, but now circumstances have forced the two to live under the same roof again. Will they manage to see beyond their mutual dependency and rediscover the love they have for each other? An exceptionally moving film about families, and how they shape our expectations from – and perceptions of – life.
For the full list of films, please visit:
Key West Film Festival has announced the winners of the 8th edition of the festival which ran November 20-24, 2019. Continue reading “[PRESS RELEASE] Key West FF Announces 2019 Awards”
Review courtesy of LastHouseOnTheRight.com. Their review is from a screener copy provided by the filmmakers.
We’ve all seen numerous shows and films showing happy new families united by the noble institution of adoption. In fact, adoption is often the happy ending at the end of a heartwarming movie. From Little Orphan Annie on through to the Blind Side, the list goes on and on.
But what about those kids who never get their happy ending? What happens to the child whose ride never comes to pick them up? Age Out begins by exploring this theme, and meanders its way into an improbable whodunit combined with a strained, muted love story.
NOTE: Screener copy provided for review.
Aloof New York City stages solid, but not provocative if one’s paying attention, indie thriller. Skater’s sexy night ends in roommate’s bizarre death. He finds cause of death while eluding corrupt antagonists. Two leads’ chemistry’s fine, but not fiery.
Expanded, spoiler-light review.
Night Sweats is told in lower-class parts of the Big Apple where the glamour of Manhattan is always distant. Yuri, a skateboarder who moves to NYC (Kyle DeSpiegler), is enjoying the company of Mary Kate (Mary Elaine Ramsey). Their session of coitus is interrupted by the vomiting death of Yuri’s friend (John Francomacaro). From there, Yuri uncovers the cause of friend’s death while avoiding a motorcycle man (Brett Azar) and the fury of a self-help company president (John Wesley Shipp). When the ending reveal happens, it’s not very shocking if one’s paying attention to a certain character’s reactions.
Overall, I enjoyed Night Sweats. The chemistry between Yuri and M.K. lacks spark, but I don’t fault the actors. With the exception of Shipp’s blustering, the plot and low-key atmosphere typical of indie films doesn’t allow over-emoting. I can’t immediately place which true events Night Sweats is based upon, but the disaster that would occur if the plot happened on a wide scale is creepy to think about.
Directed by Andrew Lyman-Clarke. Written by Clarke from a story by Seth Panman. Runtime: 99 minutes.
Visit the official Night Sweats website. View the trailer:
Ernest P. Worrell, the prolific pitch man shilling all sorts of products in the 1980s, is the result between John Cherry’s opportunism and Jim Varney’s rubber-faced charisma. Ernest became an advertising icon who moved into the star protagonist of seemingly a zillion movies. Being the idiot yokel gave struggling actor Varney a steady paycheck, fame, and fortune.
I have some nostalgia for Ernest’s antics — one of the first movies I saw on VHS was Ernest Goes to Jail. However, my now adult sense of humor can take idiotic attempts at hilarity in small doses. Let’s trace the creative evolution though a sample of horror-themed works. Continue reading “Cherry on Top: A Look at the Horror-Filled Adventures of Ernest P. Worrell”
National Wrestling Alliance held a press conference this morning at the Hard Rock Cafe in Atlanta. They are holding TV tapings at the GPB Studios tonight and tomorrow and announced their weekly show will be on Tuesdays, 6:05pm on YouTube and Facebook Live. Here are some notes of what happened. I paraphrased comments, so there may be errors. Continue reading “NWA Press Conference Notes – 30 September 2019”
For me, Nintendo-mania reached a fever pitch by 1989. September 4, 1989 is the premiere of the Super Mario Bros. Super Show starring Lou Albano and Danny Wells and the power plumbing brothers. Kids were astounded(?) with the cheesy variety-show-quality live action comedy mixed with the cheesy animation based on elements of Super Mario 1 & 2 Monday through Thursday. On Fridays, we all giggled at Link’s attempts to woo Zelda in the Legend of Zelda cartoon which replaced the Super Mario cartoon that day. Communism would fall and all was good.
As a six-year-old kid without a sense of good taste in entertainment, I was in awe of special guests to Mario & Luigi’s home(?) like Magic Johnson, Roddy Piper, Ernie Hudson, Inspector Gadget, and Captain Lou Albano. Six years old is probably the maximum age where someone could tolerate live action segments with the craft of a Brady Bunch variety show. That said, six-year-old me liked seeing Mario every weekday finishing each show with a dance (Do the Mario!) so I was entertained. Seven-year-old wasn’t pleased at the totally radical Club Mario nonsense that took away Capt. Albano and Mr. Wells a year later.
The cartoon segments were fine back then. The Super Mario animated stuff would sometimes rip off a movie or genre like Indiana Jones or James Bond. I recall it was odd that the fire flower was used a lot, but super mushrooms never came into play. The Mario cartoons would get slightly more ambitious with the later Super Mario Bros. 3 cartoon, but limped along with the meme-tastic Super Mario World.
The Super Mario Super Show is up on YouTube and Netflix USA as I type this. Now swing your arms from side to side in Albano and Wells’ honor.
Finally, the tag team of Will Smith and Martin Lawrence are back in Bad Boys for Life long after their box office drawing power dipped. The red band trailer for the third movie in the buddy cop action franchise glimpses at major set pieces and the chemistry between Smith and Lawrence. As presented, the duo’s friendship hasn’t missed a beat. There are two things that would keep me awake: Smith’s presence toning down Martin’s annoying habits and the cool outrun/synthwave/whatever-it-is visuals of Miami.
Not surprisingly, the For Life trailer shows its Michael Bay influence with explosions and the required our-heroes-are-cool attitude. Bay won’t be missed, but will audiences welcome back Will Smith and Martin Lawrence as major movie stars? Whether this spectacular trailer makes for a really spectacular movie remains to be seen. Bad Boys for Life, directed by Adil El Arbi and Bilall Fallah, is set to launch in January 17, 2020.